A note on “Asymmetrical Authority & Historical Kaleidoscope” Series by Milad Odabaei

Asymmetrical Authority & Historical Kaleidoscope stages photography against photography. Parham Taghioff’s photography challenges the apparent complacency of image-making with the conventional narrative of Iran’s history, questioning representational historiography itself by rendering visible the movement it captures. The images take up the photographic representation of paradigmatic … Continue readingA note on “Asymmetrical Authority & Historical Kaleidoscope” Series by Milad Odabaei